Already eight years in the making, Wong Kar Wai’s ‘The Grand Master’ will officially start filming in November 2009. As Tony Leung had broke his arm training for the movie, filming was delayed for two months while he recovered. Earlier on, Tony began training anew and has fully immersed himself into martial arts again. Even the Wing Chun masters who have been training Tony have praised his understanding and skill in Wing Chun. Tony is preparing to film ‘The Grand Master’ in his best form.
Does Light Exercises While Recovering
Tony’s been training at the martial arts school under the guidance of Master Yip Siu Hung and his disciples. While he had to stop training during his recovery period, Tony was still able to do light exercises. He says that kung fu training is something you can never get enough of anyway. Tony expressed that the past two months have been like an extended holiday. His doctor had strongly advised him to wait at least three months before doing any vigorous activity. After resting for a few weeks, he began exercising again to keep his body in shape. Everyday he’ll run for one or two hours. He also arranged for one-handed fitness sessions at the gym to keep his arms and legs in shape. In order to keep his arm immobile while running, he had to bandage it tightly to prevent any movement. Whenever he saw people on the streets, they would kindly ask him how his recovery was going and reminded him to be more careful.
Best Actor to Play Yip Man
Master Leung has been very satisfied with Tony’s performance. He especially admired Tony’s ‘never give up’ attitude. He has high hopes for Tony in the role of Yip Man. He believes Tony’s spirit, appearance and comprehension is very similar to Master Yip Man and is the ideal candidate to play him.
Tony Leung, who is back to Wing Chun training, still feels some pain when exerting his arm as it takes 3 months before his fractured arm would fully recover (he’s rested for two months). Producer Ng See Yuen says “The Grand Master” by Wong Kar Wai, which is about Yip Man’s life after his migration to Hong Kong and his relations with other sects, has to begin filming in November – come what may. But who knows it’d be pushed back yet again. Ng See Yuen is forbidding Wong Kar-wai, who’s facing tremendous pressure, from altering the script on the set, “The script must be finalised first, can’t let him keep changing the script as he shoots the film.”